We saw a moderately large crowd converge on the Egyptian Room in preparation for the fully booked line-up of post-hardcore performances. Starting the night out were 2 openers, Arm’s Length and Split Chain. Arm’s Length is a relatively new Midwest emo band hailing from Canada, and Split Chain is self-described as “a refreshing balance of shoegaze, grunge, and nu metal” originating in the UK.
I Don’t Want to Feel This Way Forever…a Dead Letter Marked Return to Sender
Thursday is renowned for their influential live performances that typically feature authentic, passionate delivery and the ability to maintain the raw energy that made them pioneers in the post-hardcore scene.
Lead singer Geoff Rickly’s intense, emotional delivery marked by his distinctive vocal style ranges from melodic singing to raw, passionate screaming. His vocal on “Understanding in a Car Crash” and “Cross Out the Eyes” are particularly notable for their emotional intensity.
Alexisonfire’s lead guitarist, Wade McNeil, has been filling in throughout the January and February and has seamlessly executed the band’s signature sound. His performance of complex songs like “War All the Time” and “Signals Over the Air” demonstrated his technical proficiency.
Strong rhythm section work from touring drummer Jeff Gensterblum (a well-seasoned studio and touring drummer) provided the foundation for the band’s shifting dynamics and complex arrangements.
Atmospheric and sometimes experimental sound elements helped showcase their influence on the post-hardcore genre. There was a strong and obvious political note in their performance, but they were loud and proud about it, which is much respected.
Heartbreak in a St. Louis Parking Lot
Lead singer Shane Told’s distinctive vocal style was out in full force, alternating between clean singing and screaming vocals. He maintained impressive vocal control even through demanding songs like “Smile in Your Sleep” and “My Heroine.”
There were strong instrumental performances, particularly Paul Marc Rousseau and Josh Bradford’s intricate guitar work and Billy Hamilton’s driving basslines. Rousseau also provided solid backing vocals, and even took over lead a few times.
The setlist was a solid mix of classic hits, deep cuts, and a fresher, newer sound spanning all of their 12 albums.
Critics and fans alike have to commend Silverstein for their intense stage presence, tight musicianship, and heartfelt interactions with the crowd.
The tour features impressive lighting and stage effects, enhancing the emotional and energetic impact of their music. My personal favorite was the fog cannons, which shot up multiple times throughout the night and just provide a much more mysterious energy vs the pyro alternatives that are often seen onstage with similar bands.
Silverstein’s “25 Years of Noise” tour proved a dynamic performance, celebrating their extensive discography and engaging fans with their signature energy.
If you’re considering catching them on this tour, expect a mix of post-hardcore energy, emotional depth, and a well-curated setlist celebrating their legacy.